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Grateful Dead Live at Hampton Coliseum on 1987-03-22

by Grateful Dead

Publication date: 1987-03-22 ( check for other copies)

Topics: Audience, Bill Koucky, Chris Ladner

Collection: GratefulDead

Band/Artist: Grateful Dead

Resource: DeadLists Project

Set 1

Hell In A Bucket ->
Sugaree
It's All Over Now
West L.A. Fadeaway
El Paso
When Push Comes To Shove
Cassidy
Deal

Set 2

Sugar Magnolia ->
Scarlet Begonias ->
Fire On The Mountain
Estimated Prophet ->
Drums ->
Space ->
The Wheel ->
Black Peter ->
Sunshine Daydream

Encore
It's All Over Now, Baby Blue

Related Music question-dark

Song Title	Versions	Compilations	Covers
crowd/tuning
Hell In A Bucket >
Sugaree
It's All Over Now >
West LA Fadeaway
El Paso
When Push Comes To Shove
Cassidy >
Deal
crowd/tuning
Sugar Magnolia >
Scarlet Begonias >
Fire On The Mountain
Estimated Prophet >
Drums >
Space >
The Wheel >
Black Peter >
Sunshine Daydream
It's All Over Now, Baby Blue

Addeddate: 2008-04-13 20:47:47

Identifier: gd1987-03-22.senn_me88.koucky.gmb.77199.sbeok.flac16

Lineage: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3 (rendered to 16/44.1 WAV using hi-res dither settings) > CDWAV 1.9 > FLAC (level 8 encoding)

Location: Hampton, VA

Run time: 137:42

Source: Sennheiser shotguns > Sony D6 > TDKMA90s

Taped by: Bill Koucky

Transferred by: Chris Ladner

Type: sound

Venue: Hampton Coliseum

Year: 1987

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Reviews

Reviewer: NOSIMPLEHIGHWAYMAN - - April 1, 2023
Subject: Best of a boomy field

I agree with the previous writer. None of the others is as clear, and this one at least subdues some of the overpowering boominess at this show. Other versions have the drums almost pounding Jerry's guitar into the background. Too bad--this is a fantastic show--just listen to Jerry's soaring leads in the magnificent performance of Fire On The Mountain! One of the best versions of Scarlet > Fire ever.

Reviewer: DeadBirdWharfStar - - March 22, 2023
Subject: Best AUD for this show

Flipping back and forth through the available audience recordings, this one really sticks out. Give it a few seconds/minute into the tape and it comes through very nice. I haven’t been impressed with the matrixes I’ve seen in here so far, I don’t care for SBD sources, so if you’re like me and what to feel and hear like you’re the middle of the crowd actually at the show, here’s the one.

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